Velvet 56
About a week ago a friend of mine asked me if I could demonstrate the different looks various lenses can create of the same subject – including the Burnside. I picked a rose in my brother’s garden for my subject, and used four different lenses: Nikon 35mm, Lensbaby Burnside 35, LB Velvet 56, and LB Sweet 35. Please don’t expect this post to be a complete test of the 4 lenses; my goal was to give a good indication about the various looks you can achieve. I haven’t done any post processing on the following images. I will show a few images from each of the four lenses, then later in the post I’l put them next to each other for an easier comparison.
First, I’d like to show you three images I took with the Nikon 35mm lens, which is an automatic focus, prime lens. I got as close to the subject as I could, which was about 10″ (click to enlarge).
I got a bit disappointed, because there were barely any flowers blooming. What do you do when yo really want to take pictures of spring flowers but they are not in bloom yet? You buy two potted tulips at the store and gift them to you mother-in-law and her neighbor. But first, you take a few pictures of them. 🙂
The following images were all created with a Velvet 56 lens, and post-processed in Photoshop using Topaz and On1 plugins. Enjoy!
I have a new “toy” that allows me to do this more than anything else: a Lensbaby Velvet 56 lens. This lens has become my favorite after using it just for a few hours. I’ve always wanted to create dreamy, painterly looking floral images, and this lens helps me do that.
Since it has macro abilities, you can get as close as 5cm to your subject. And at that distance you’ll find all kinds of miracles. You can, for example separate one tiny, budding Geranium bloom from all the others and see it like this: