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I spent a relatively short time preparing for today’s event. I purchased a solar filter sheet and made a homemade filter for my lens yesterday morning. Then I practiced for about an hour to take pictures of the Sun with the filter on. I had to find the right focusing spot, as well as settings that I could start out with today.
My equipment: Nikon d750 dslr, Nikon 28-300mm lens (set at 100mm), CamRanger (to connect my iPhone with the camera), and the filter. (The CamRanger was not necessary, but made the process easier.) I took all the images at 100mm, because I wanted to be able to record the whole eclipse and not move the camera too many times.
I chose two originals to create one final image, because I preferred the sky in the second one, but everything else in the first one. I composited them.
I’d like to talk about something new I’ve tried.
Last weekend I attended a photography workshop organized by the California Center for Digital Arts. The main goal of the workshop was discovering the remains of a once very popular recreational area, the Salton Sea in California, and capturing the decay of natural and manmade items around the lake.
The most exciting part of the weekend for me was trying out nighttime and light-painting photography. In fact, the absolute highlight was seeing the billions of stars above my head in every direction. I live in a city, where it is impossible to view the stars the same way as you can far away from civilization.
Since this was my first attempt to capture light-painted objects and the night sky on my photographs, and I feel pretty successful with the results, I wanted to share my thoughts and recommendations about it. I’m hoping to inspire and help out others who have never attempted doing this before, and would like to try it.
I will tell you what equipment I used and how I made these pictures, although you certainly don’t need to have exactly the same gear or even the same settings. They will just give you good starting point. To create the shown pictures I used
- a Nikon d750 dslr camera,
- a Nikon 14-24mm f2.8 lens,
- a sturdy tripod,
- and some flashlights.
In order to be able to capture the starry night, you need to find a location far far away from large, bright cities. We were in the Anza-Borrego Desert area, in a fairly – but not perfectly – dark place. All the participants set up their cameras facing one of Ricardo Breceda’s steel sculptures, an elephant. We started out by focusing on the sculpture (it needs to be lit up by a strong flashlight or car headlights for focusing). Then, we took a picture of the dark scene to capture the starry sky. It took a few trials to get a good base image, but here are my settings for the picture that I found acceptable:
- ISO 400
- 24mm
- f/5.0
- 30 seconds shutter speed.
When you have a base image where the sky has enough stars showing, you can start experimenting with the light painting. It will take a few tries to have your object painted the way you like it. Our instructor tried different flashlights (some with colors), for various amounts of time, and from all kinds of angles. I would suggest that first you light the object for about 10 seconds in total, which does not have to be done continuously. But do turn the light off before you move to a new area, otherwise a light streak will show on your image. Check the picture and decide, if you want to light the item more or less, or maybe at different spots. There is no perfect recipe; it’s a fun trial and error process. Here is a set of pictures from the first attempts:
Elephant statue (by Ricardo Breceda) lit by blue flashlight
Next, we moved to a new statue. Here, my camera settings were:
- ISO 640
- 16mm
- f/5.0
- 30 seconds shutter speed.
There were two images that I liked and I combined them in Photoshop. The result:
My last and most favorite image was created differently. This is not light-painted, it is a silhouetted picture of the horses with the Milky Way showing in the background. You still need to light the object in order to manually focus on it, but then you need darkness. The settings for this image were:
- ISO 4000 (try different high ISOs)
- 17mm
- f/5.0
- 34 seconds shutter speed. I used the bulb mode and counted.
The final touches were done in Lightroom and Photoshop, and I also used Perfect Effect 9. Here is my most favorite image of the night:
In the past two weeks our family got better acquainted with two of history’s grandest ocean liners. The previous weekend we visited a traveling exhibit in Buena Park, CA entitled Titanic, the Artifact Exhibition. It started by handing out boarding passes of passengers who boarded the ship on April 10, 1912. From these passes our family learned about three people in detail: who they were, why they were traveling, and a few other interesting facts. At the end of the exhibit we learned “our faith”: were we among the lucky ones who survived the accident, or was April 14, 1912 the last day of our life. (In case you are curious: only one of us survived.) Throughout the exhibit we marveled over 200 artifacts that were recovered from the bottom of the ocean, and we even touched part of the ship. We really enjoyed this exhibit.
We enjoyed it so much, that the following weekend we decided to visit an actual ocean liner, which happened to be the Queen Mary in Long Beach, CA. This over 1,000 ft (300m) long ship sailed the North Atlantic Ocean between 1936 and 1967. During this time she carried over 2,000,000 passengers between England and New York as well as mail (being a Royal Mail Ship or RMS). The Queen Mary became a soldier transporting ship during World War II, once carrying 16,082 American soldiers from New York to Great Britain. After the war she was refitted for passenger service again, and sailed over the Atlantic Ocean until 1967. Her last trip brought her to Long Beach, California, where she became a hotel and a museum.
After this program we continued out tour of the ship. First, we walked by the shops in the Main Hall, then we visited the deck in front of the bridge, and upon returning to the inside of the ship we walked through a corridor which takes you to the hotel rooms.
Premier Exhibitions
Queen Mary