My family moved to California in mid 2012. One of the most fascinating aspects of living close to the ocean for me was (and still is) photographing the low-tide. In the first year of living here I frequently visited Laguna Beach and vicinity to admire the interesting low-tide animals. They were abundant! During each trip I saw many various animals and plants: kelp, thousands of mussels and barnacles, sea anemones, sea urchins, some octopi and many sea stars.

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Laguna Beach, California, viewed during low-tide from Shaw’s Cove
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Although I am not too much into astro photography, I certainly wanted to watch the Solar Eclipse on August 21, 2017, and to take some photos. It wasn’t a total eclipse in our area; we live in Southern California. The last Solar Eclipse I watched was a total one, and I was lucky enough to experience it in my birth country, Hungary, in 1999.
I spent a relatively short time preparing for today’s event. I purchased a solar filter sheet and made a homemade filter for my lens yesterday morning. Then I practiced for about an hour to take pictures of the Sun with the filter on. I had to find the right focusing spot, as well as settings that I could start out with today.
My equipment: Nikon d750 dslr, Nikon 28-300mm lens (set at 100mm), CamRanger (to connect my iPhone with the camera), and the filter. (The CamRanger was not necessary, but made the process easier.) I took all the images at 100mm, because I wanted to be able to record the whole eclipse and not move the camera too many times.
Solar Eclipse Photography​
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Yesterday I visited a nearby beach, and while I was mostly taking pictures with my DSLR, I also took a quick snapshot of the sunset with my phone. I posted it to Facebook, and many of my friends liked it. Here is the image I posted:
I came home with a few pictures that I wanted to post-process. I browsed through the images and chose some that 1. I thought had a good composition, 2. the water looked silky and pleasing, and 3. had both nice clouds and cloud reflections. Here are the two images in their original, RAW format (if you are used to seeing only jpg-s, these images will probably look really blah to you – and I agree; they are. RAW image files must be post processed.)
I chose two originals to create one final image, because I preferred the sky in the second one, but everything else in the first one. I composited them.
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Ricardo Breceda’s Steel Horses in Borrego Springs, CA. Image by Gizella Nyquist

I’d like to talk about  something new I’ve tried.
Last weekend I attended a photography workshop organized by the California Center for Digital Arts. The main goal of the workshop was discovering the remains of a once very popular recreational area, the Salton Sea in California, and capturing the decay of natural and manmade items around the lake.
The most exciting part of the weekend for me was trying out nighttime and light-painting photography. In fact, the absolute highlight was seeing the billions of stars above my head in every direction. I live in a city, where it is impossible to view the stars the same way as you can far away from civilization.

Since this was my first attempt to capture light-painted objects and the night sky on my photographs, and I feel pretty successful with the results, I wanted to share my thoughts and recommendations about it. I’m hoping to inspire and help out others who have never attempted doing this before, and would like to try it.
I will tell you what equipment I used and how I made these pictures, although you certainly don’t need to have exactly the same gear or even the same settings. They will just give you good starting point. To create the shown pictures I used

  • a Nikon d750 dslr camera,
  • a Nikon 14-24mm f2.8 lens,
  • a sturdy tripod,
  • and some flashlights.

In order to be able to capture the starry night, you need to find a location far far away from large, bright cities. We were in the Anza-Borrego Desert area, in a fairly – but not perfectly – dark place. All the participants set up their cameras facing one of Ricardo Breceda’s steel sculptures, an elephant. We started out by focusing on the sculpture (it needs to be lit up by a strong flashlight or car headlights for focusing). Then, we took a picture of the dark scene to capture the starry sky. It took a few trials to get a good base image, but here are my settings for the picture that I found acceptable:

  • ISO 400
  • 24mm
  • f/5.0
  • 30 seconds shutter speed.

When you have a base image where the sky has enough stars showing, you can start experimenting with the light painting. It will take a few tries to have your object painted the way you like it. Our instructor tried different flashlights (some with colors), for various amounts of time, and from all kinds of angles. I would suggest that first you light the object for about 10 seconds in total, which does not have to be done continuously. But do turn the light off before you move to a new area, otherwise a light streak will show on your image. Check the picture and decide, if you want to light the item more or less, or maybe at different spots. There is no perfect recipe; it’s a fun trial and error process. Here is a set of pictures from the first attempts:

And here is the attempt that produced the best image for me:

Elephant statue (by Ricardo Breceda) lit by blue flashlight

Next, we moved to a new statue. Here, my camera settings were:

  • ISO 640
  • 16mm
  • f/5.0
  • 30 seconds shutter speed.

There were two images that I liked and I combined them in Photoshop. The result:

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Light-painted horse sculpture (by Ricardo Breceda)

​My last and most favorite image was created differently. This is not light-painted, it is a silhouetted picture of the horses with the Milky Way showing in the background. You still need to light the object in order to manually focus on it, but then you need darkness. The settings for this image were:

  • ISO 4000 (try different high ISOs)
  • 17mm
  • f/5.0
  • 34 seconds shutter speed. I used the bulb mode and counted.

The final touches were done in Lightroom and Photoshop, and I also used Perfect Effect 9. Here is my most favorite image of the night:

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Nighttime photo of Ricardo Breceda’s steel horses in the Borrego Springs area with the Milky Way in the background.
As a first timer in light-painting photography I have to tell you, that this was super fun to try, and I hope you will enjoy experimenting with it as much as I did.

In the past two weeks our family got better acquainted with two of history’s grandest ocean liners. The previous weekend we visited a traveling exhibit in Buena Park, CA entitled Titanic, the Artifact Exhibition. It started by handing out boarding passes of passengers who boarded the ship on April 10, 1912. From these passes our family learned about three people in detail: who they were, why they were traveling, and a few other interesting facts. At the end of the exhibit we learned “our faith”: were we among the lucky ones who survived the accident, or was April 14, 1912 the last day of our life. (In case you are curious: only one of us survived.) Throughout the exhibit we marveled over 200 artifacts that were recovered from the bottom of the ocean, and we even touched part of the ship. We really enjoyed this exhibit.

We enjoyed it so much, that the following weekend we decided to visit an actual ocean liner, which happened to be the Queen Mary in Long Beach, CA. This over 1,000 ft (300m) long ship sailed the North Atlantic Ocean between 1936 and 1967. During this time she carried over 2,000,000 passengers between England and New York as well as mail (being a Royal Mail Ship or RMS). The Queen Mary became a soldier transporting ship during World War II, once carrying 16,082 American soldiers from New York to Great Britain. After the war she was refitted for passenger service again, and sailed over the Atlantic Ocean until 1967. Her last trip brought her to Long Beach, California, where she became a hotel and a museum.

After this brief historical introduction, let’s get to some images from our recent visit of the ship. First, we walked around in the Engine Room:

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​Our next stop was a Ghosts and Legends tour. During this 30-40 minute tour/show we entered the lower parts of the ship, where we heard some ghost stories about the ship. We really enjoyed this show, the actors/tour guides were great. The best part of it was visiting the boiler room. We were standing on the bottom of the ship in this extremely large room that used to hold the boilers. It was a pretty amazing place. Unfortunately, during the tour no photography is allowed.
After this program we continued out tour of the ship. First, we walked by the shops in the Main Hall, then we visited the deck in front of the bridge, and upon returning to the inside of the ship we walked through a corridor which takes you to the hotel rooms.

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Finally, we walked from the front of the ship to the back on the Promenade Deck. We took a look at the funnels (which are replicas), admired the size of a cruise ship (Carnival Miracle), and I just had to take a few pictures of the resting Cormorants.

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And now it was time to say good bye to this beautiful, full of history location. One more image of the side of the ship that also shows the life boats – which are replicas of the original ones.
​I hope I made some of you interested in checking out either the Titanic Exhibit or the Queen Mary. Here is some info to these attractions:
Premier Exhibitions
Queen Mary